Not a dream, not an imaginary story, not an elseworld. This is Flash Fact: When Barry Allen wakes at his desk, he discovers the world has changed. Family is alive, loved ones are strangers, and close friends are different, gone or worse. It's a world on the brink of a cataclysmic war—but where are Earth's Greatest Heroes to stop it? It's a place where America's last hope is Cyborg, who hopes to gather the forces of The Outsider, The Secret 7, Shazam!, Citizen Cold and other new and familiar-yetaltered faces! It's a world that could be running out of time, if The Flash can't find the villain who altered the time line!
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The Invisible Art is a 1993 non-fiction work of comics by American cartoonist Scott McCloud.[1] It explores formal aspects of comics, the historical development of the medium, its fundamental vocabulary, and various ways in which these elements have been used.[2] It expounds theoretical ideas about comics as an art form and medium of communication, and is itself written in comic book form.[3] Understanding Comics received praise from notable comic and graphic novel authors such as Art Spiegelman, Will Eisner, Alan Moore, Neil Gaiman, and Garry Trudeau (who reviewed the book for the New York Times).[4] Although the book has prompted debate over many of McCloud’s conclusions,[5] its discussions of "iconic" art and the concept of "closure" between panels have become common reference points in discussions of the medium.[6][7] The title of Understanding Comics is an homage to Marshall McLuhan's seminal 1964 work Understanding Media.[citation needed]